Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay to the unrest? Katniss. And what's worse, President Snow has made it clear that nobody else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one of the most discussed books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as being a trilogy. Did it genuinely end the way in which you planned it through the beginning?

A: Very much so. While I did not know every detail, of course, the arc in the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the writing process.

Q: We understand you worked around the initial screenplay for any film to become depending on The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you cannot take everything with you. The story has to get condensed to suit the new form. Then you have the question of methods best to consider a book told within the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and so are privy to any or all of her thoughts so you need a method to dramatize her inner world and to generate it possible for other characters to exist beyond her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of situations are acceptable on a page that would not be on the screen. So how certain moments are depicted will ultimately be inside director's hands.

Q: Are you capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully it is just too hard to think about new ideas?

A: I have a couple of seeds of ideas boating inside my head but--given that much of my focus is still on The Hunger Games--it will likely be awhile before one fully emerges and I can start to develop it.

Q: The Hunger Games is a yearly televised event through which one boy then one girl from each with the twelve districts is forced to participate in the fight-to-the-death on live TV. Exactly what do you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure once they see real tragedy playing out on, say, the news, it doesn't possess the impact it should.

Q: Should you were made to compete inside the Hunger Games, what do you think that your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to obtain hold of an rapier if there were one available. But reality is I'd probably get with regards to a four in Training.

Q: What can you hope readers will come away with whenever they read The Hunger Games trilogy?

A: Questions about how exactly elements of the books might be relevant of their own lives. And, when they are disturbing, what they might do about them.

Q: What were some of the favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but now it is for world control. While it is really a clever twist for the original plot, it indicates that there is certainly less focus for the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels in charge of killing and possibly at her motives and choices. This is definitely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to make an attempt to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each and every with the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.